EXHIBITIONS

FABRICATED IDENTITY

Obinna Makata has actively engaged in workshops that have strengthened both his artistic practice and his contribution to contemporary art discourse. Over the years, he has participated in professional workshops within Nigeria and internationally, including programs across Europe, America, and the Middle East. These experiences have provided spaces for experimentation, exchange, and critical dialogue with artists, curators, and cultural practitioners from diverse backgrounds.

His workshops often align with the central concerns of his practice—material transformation, environmental awareness, identity, and the realities of urban life. Working extensively with found and discarded objects, Makata brings a distinctive perspective to conversations on sustainability and the creative possibilities of reclaimed materials. Through these settings, he demonstrates how everyday waste can be reimagined as powerful artistic media.

Beyond personal development, Makata’s involvement in workshops reflects a commitment to mentorship and shared learning. Such platforms have enabled him to exchange ideas, refine techniques, and contribute to emerging conversations around contemporary African art and global artistic practice.

FELLOW GROUP EXHIBITION

Obinna Makata has actively engaged in workshops that have strengthened both his artistic practice and his contribution to contemporary art discourse. Over the years, he has participated in professional workshops within Nigeria and internationally, including programs across Europe, America, and the Middle East. These experiences have provided spaces for experimentation, exchange, and critical dialogue with artists, curators, and cultural practitioners from diverse backgrounds.

His workshops often align with the central concerns of his practice—material transformation, environmental awareness, identity, and the realities of urban life. Working extensively with found and discarded objects, Makata brings a distinctive perspective to conversations on sustainability and the creative possibilities of reclaimed materials. Through these settings, he demonstrates how everyday waste can be reimagined as powerful artistic media.

Beyond personal development, Makata’s involvement in workshops reflects a commitment to mentorship and shared learning. Such platforms have enabled him to exchange ideas, refine techniques, and contribute to emerging conversations around contemporary African art and global artistic practice.

BEFORE THE DEW

Obinna Makata has actively engaged in workshops that have strengthened both his artistic practice and his contribution to contemporary art discourse. Over the years, he has participated in professional workshops within Nigeria and internationally, including programs across Europe, America, and the Middle East. These experiences have provided spaces for experimentation, exchange, and critical dialogue with artists, curators, and cultural practitioners from diverse backgrounds.

His workshops often align with the central concerns of his practice—material transformation, environmental awareness, identity, and the realities of urban life. Working extensively with found and discarded objects, Makata brings a distinctive perspective to conversations on sustainability and the creative possibilities of reclaimed materials. Through these settings, he demonstrates how everyday waste can be reimagined as powerful artistic media.

Beyond personal development, Makata’s involvement in workshops reflects a commitment to mentorship and shared learning. Such platforms have enabled him to exchange ideas, refine techniques, and contribute to emerging conversations around contemporary African art and global artistic practice.

THE MADRID SHOW

Obinna Makata has actively engaged in workshops that have strengthened both his artistic practice and his contribution to contemporary art discourse. Over the years, he has participated in professional workshops within Nigeria and internationally, including programs across Europe, America, and the Middle East. These experiences have provided spaces for experimentation, exchange, and critical dialogue with artists, curators, and cultural practitioners from diverse backgrounds.

His workshops often align with the central concerns of his practice—material transformation, environmental awareness, identity, and the realities of urban life. Working extensively with found and discarded objects, Makata brings a distinctive perspective to conversations on sustainability and the creative possibilities of reclaimed materials. Through these settings, he demonstrates how everyday waste can be reimagined as powerful artistic media.

Beyond personal development, Makata’s involvement in workshops reflects a commitment to mentorship and shared learning. Such platforms have enabled him to exchange ideas, refine techniques, and contribute to emerging conversations around contemporary African art and global artistic practice.